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THE HUMANALIENS STUDIO
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THE HUMAN / EXPLORE

Every story.
One universe.

Meet the people. Discover their worlds.
Follow the spacecraft, scenes and ideas that connect them.

A film universe in development. Artwork and short motion studies are not final movie footage.

THE HUMAN / EDITORIAL RECORD

Canon & media notes.

A vivid universe should still tell you what is established, what is proposed and what you are actually looking at.

ARCHIVE POLICY

Later decisions take precedence.

The reviewed source is TheHuman.Series.Bible.md at Cyborg revision b7caab964a5943626d13b029366a7b57e668e5b0. Its original owner messages, amendments and proposal labels are not interchangeable. Sections 26 and 28 supersede early drafts where they conflict. The website is an editorial adaptation, not a new approved screenplay.

ARCHIVE POLICY

One Anil in Part II.

Anil Cyborg is a human-appearing robot carrying a Human Persona. He is not the earlier human protagonist called Aadi. Part II has one active Anil; proposed transfers move that active Persona. Multiple concurrent Anil copies belong to the planned later film. Unresolved family or romantic relationships are not asserted.

ARCHIVE POLICY

Artwork is not finished footage.

Existing generated character photographs and world illustrations are development artwork. Six silent twelve-second MP4 motion studies are derived from those images using pan, zoom and fades. They are website animatics, not approved final shots, a completed trailer or proof that the feature has been filmed. The older rejected trailers are not republished as official footage.

ARCHIVE POLICY

Context is not a substitute identity.

The seven existing character galleries are preserved. Other characters use explicitly labelled environmental and scene context until dedicated portraits are approved. Prime Sereth uses the selected Orvaan design reference; Vorak and Ilva do not borrow his face as their own. Artificial habitats, systems and unnamed collections do not become fabricated individual planets.

ARCHIVE POLICY

Science fiction, with explicit limits.

The dossiers describe fictional technology and settlements, not real exoplanet conditions or available products. Gates are a speculative story allowance with prepared endpoints. The revised scale excludes moving whole planets. Interface trajectories, procedural globes and fleet studies are not physical simulations or operational technical plans.

ARCHIVE POLICY

Motion is optional.

All dossier text and navigation exist in static HTML. Videos play only on request, audio is opt-in, reduced-motion preferences disable ambient movement, 3D loads near the viewport and unavailable WebGL leaves artwork accessible. Pointer inspection does not replace keyboard controls or ordinary vertical touch scrolling.

ARCHIVE POLICY

What is still production work.

Dedicated final portraits for every working character, unique production-ready models for every ship and world, final film shots, performances, dialogue, music mixing, release details and public-host deployment verification are not implied by this archive. New source decisions should be reviewed before extending the catalogue.

Gallery
Selected artwork