THE HUMANALIENS STUDIOMeet the people. Discover their worlds.
Follow the spacecraft, scenes and ideas that connect them.
A film universe in development. Artwork and short motion studies are not final movie footage.
Seven-world system · story setting
More than one world in the sky.
TRAPPIST-1 is the seven-world system used as a human setting in the story bible. The film’s settlement details and the exact inhabited member of the system have not been finalized.
A visual journey through the existing world, scene and design references.
Existing scene and environment artwork. These are not additional portraits of this character or newly filmed scenes.
Story-world information from the reviewed development record. Working details are not release announcements or real-world specifications.
More than one world in the sky.
Explore the story through its existing artwork. These visual references are development material, not a final shot sequence.
The appeal of this setting is the presence of other worlds in the lived environment of a community. The film can contrast an intimate street or classroom with a sky that constantly reminds people of their neighbors. Current images are conceptual environment studies. They do not establish that any real TRAPPIST-1 planet has a particular atmosphere, city or population.
Explore Hiroshi TanakaThe bible's shorthand political titles do not yet define the constitution of the entire system. This site therefore keeps one system dossier rather than inventing seven fully settled planetary biographies. Individual world pages can be added when the narrative records give them distinct names, communities and roles. That is a content boundary, not a claim that the setting contains only one inhabited place.
Explore The SpanA proposed long-distance-message thread uses a broken connection to make distance emotionally meaningful. The scene is still developmental, but it reveals a useful principle: infrastructure can shorten a journey without removing the consequences of being far from someone. The site keeps this as a story possibility rather than promising a particular relationship or final scene.
Explore The ConcordIndependent world, spacecraft and foreground layers respond at different depths. Pause remains available; reduced motion and data saver are respected.
Nine compositions from three source environments. Layered concept artwork, not completed movie footage. Scene links work without JavaScript.
Explore the Scene Atlas ↗ · Follow the people, ships and worlds behind the layers.
Worlds in Motion explores the homes beyond Earth: twilight cities, ocean settlements, winged travel, an artificial ring and a sunless world with engineered warmth. It shows what the civilization values before focusing on what threatens it.
Slow pans, scale and transitions assembled from existing artwork. Native controls keep playback in your hands.
ARTWORK MOTION STUDY · 12 SECONDS · SILENT · NOT FINAL FILM FOOTAGE
Optional website score, played only by you. This is separate from the silent motion study and is not a final film sound mix.
Interactive concept model loads when this section enters view. The artwork and all story text remain available without 3D.Schematic schematic world used to explore scale and form. It is not a production-ready asset, a portrait, a physically accurate simulation or a unique final model of TRAPPIST-1. Drag gently; vertical touch scrolling remains available.
Three actual renders of the website inspection model. Shared form studies are not presented as unique finalized hulls or astronomical maps.
Form follows the story.
A shared sky, multiple horizons and inhabited-future concepts are contextual references. The gallery does not label a generic image as a scientifically accurate photograph of a particular TRAPPIST planet.
Seven real-world designations do not establish seven approved film locations. The film’s individual settlement assignment remains open.
No. It is the star-system setting used by the story.
The reviewed bible does not lock a complete individual settlement roster.
No. The gallery is fictional cinematic concept artwork.
No. The photographs are development artwork and the short videos are silent motion studies assembled from that artwork. They are labelled on the page. Final character portraits, scene performances and production-ready effects are not implied.
Move from this dossier to its connected characters, worlds, vessels and ideas. The interactive constellation represents editorial reading paths, not physical distances or a confirmed voyage.
Locate TRAPPIST-1 in the Story Map ↗Adapted from The Human Series Bible, sections 3,11,13,27. Later owner decisions, especially sections 26 and 28, take precedence over earlier proposals. Current status: Development concept.
Source repository: Aliens-Company/Cyborg · ACC/Reference/TheHuman.Series.Bible.md
Reviewed source revision: b7caab964a5943626d13b029366a7b57e668e5b0.
The source repository may require account access. This public dossier distinguishes approved foundations, working names, contextual art and unrendered scenes. Read the canon and media policy.
