THE HUMANALIENS STUDIOMeet the people. Discover their worlds.
Follow the spacecraft, scenes and ideas that connect them.
A film universe in development. Artwork and short motion studies are not final movie footage.
Ten settings. Not ten copies of the same planet. Explore worlds, a moon, a star system, an engineered ring and the unnamed places beyond them.
Original procedural web concepts. All sizes, tracks and movement are illustrative, not measured astronomy or final film environments.
Change the viewpoint, lighting and viewing layers. Original artwork and readable dossiers remain available without WebGL.
Interactive geometry loads near the viewport. Rendered images and the complete story remain available without 3D.
The illumination emphasizes a boundary between light and shadow. Rotating the inspection object changes the visitor's viewpoint; it does not assert a particular day length or simulate the real exoplanet's rotation. The contrast is designed to make the twilight-world idea immediately legible.
Dark land areas refer to the bible's black-leaved vegetation concept. Broad gold accents suggest inhabited places without assigning unapproved city names or populations. These details are a starting point for production design, not a completed map of the film's settlements.
The world's importance is not confined to its orbital appearance. The teacher, schools and everyday companions show what humanity built before it was threatened. The linked character and Gate dossiers connect that quiet life to the wider civilization and to the long work required to reach it.
The first home is seen through damage, evacuation and the work of recovery.
Mars is the refuge that becomes the next front.
The story's Proxima is a twilight home: dark vegetation, warm cities and ordinary lives beneath an unfamiliar sky.
This view is a system, not a single planet.
The Epsilon setting is a fictional moon associated with the Epsilon Eridani worldbuilding.
The Human imagines Teegarden b as an ocean civilization.
Haven is an engineered ring habitat, not a natural planet.
Lantern is the fictional starless-world concept.
The frontier is a collection of places being prepared or recovered, not one invented planet called Frontier.
This collection study gives the Orvaan a multi-world setting rather than one throne room or a falsely named capital.
A silent turntable of the actual environment geometry. Not final movie footage.
A silent turntable of the actual environment geometry. Not final movie footage.
A silent turntable of the actual environment geometry. Not final movie footage.
No. The collection distinguishes planets, the fictional Epsilon moon, the TRAPPIST-1 system, Haven as an artificial habitat, and the frontier and Orvaan world collections.
No. These are newly rendered procedural website concepts grounded in the story bible. Their terrain, settlements, spacing and motion are not observations or validated astronomical measurements.
No. Three six-second silent clips each contain 144 rendered frames of environment geometry. They are clearly labelled development turntables, not final footage or an official trailer.
Every world keeps its full readable dossier and existing gallery, plus three new static rendered views. The complete collection and all reading links work without JavaScript. Motion, atmosphere and guide layers are optional.
Adapted from Cyborg ACC/Reference/TheHuman.Series.Bible.md, sections 3–4, 11, 22, 26 and 28. Later decisions override earlier proposals. The reviewed source blob is b2d733073d4c72184776200e8c6dccd61178def0.
The website preserves unnamed collections instead of manufacturing a roster of approved planet names. All original character photographs and the approved homepage remain unchanged.
Read the canon and media policy